
2009/10/25
Time For a New Post

2009/09/06
I am . . .
I am a sideways boxer.
I am a pathetic excuse for a hairpiece.
I am turning around.
I am a spanking machine.
I am bound by a code of honor.
I am a king cobra.
I am a little man atop a rook on a chessboard.
I am a queen. A queen!
I am a broken link.
I am Ron Hansen.
I am a silverback gorilla.
I am disproportionately authentic.
I am a malingerer.
I am a six-armed potato-person.
2009/08/13
Bands, Boobs, Bushy Beards
I know that many people dislike heavy metal music. Dislike may be too mild a word for some. Regardless, one must love heavy metal in some capacity in order to tolerate it. There are those who simply enjoy pumping the devil horns in the air, slam-dancing, screaming obscene slogans, and jerking their head back and forth or in a violent circle. Then there are those who have grown past all that and just love the music. And of course, there are those who are insane enough to try to make a living as heavy metal musicians. The latter category loves heavy metal more than any of the others. To be a heavy metal musician is like being a poet: you will not make any money doing something you love to do. Yet they do it anyway.
I fall into the middle category. Moshpit days are well behind me. I don’t want to be slammed to a concrete floor by a dozen or more hairless three-hundred pound gorillas swimming in circles through the sweat haze. I just want to enjoy the music the way it’s meant to be enjoyed. The epileptic strobelights. The dull cigarette fog over everything. The air thick with the taste of beer. The bass pummeling through the core of your body. Such volume as one would find on a runway at O’Hare. The great buildup of energy that binds a group of four or five musicians to hundreds of drunk and sweaty young people for thirty minutes, goading one another on, feeding off the ruckus.
The concert was great. Zakk Wylde can play a guitar with all the effort involved in picking one’s teeth. The bass player of Suicide Silence resembled Clisbee in some of his more pained expressions, though I have a hard time picturing Clisbee bent-and-squat with an electric bass, swinging his hair and his entire head in great revolutions at 245 bpm. The singer of Mudvayne performed several songs whilst encased in a furry bear suit which I imagine was an entirely unpleasant experience. At least one member of each band had a beard of considerable bushiness.
I didn’t much like the Alltel Center though. Everything seemed choreographed to begin and to end at an early, reasonable, respectable Mankato hour (eleven p.m.).
So that’s part of how I spent my summer.
2009/07/13
Someone Always Has it Rougher Than You
In the aftermath I took some pictures, like a forensics analyst at the scene of a crime. I won't post them here. Nobody wants to look at that.
2009/07/04
Happy Boom Day
Boo.2009/06/04
Turkey Crossing
2009/05/20
Eine Schlange ist durch den Holzhaufen geschlängelt
Today. A few hours ago. From the bathroom window I saw a snake, about the length of my forearm, slither into view from under the porch. It crept along, over the dwindling woodpile. I got my daughter and we watched the snake from the back door, until it disappeared. The snake was black, with yellow racing stripes along the length of its body. Beautiful.
2009/04/02
The Latest Fashion for a Night on the Town:
In St. Paul, and other Niceties
2009/03/08
2009/03/05
Goddamn Jackrabbits
What do these stories have in common (aside from how much I love them)?
Except for Strays, there is a scene in each story, in which two characters are riding together in a car and either witness or cause the death of a rabbit. (In Strays, there is "an exploded chicken in the grill of Uncle Trash’s car." Similar, yet so very different.)
How does the same fundamental scene appear in three different stories? In Taking Care, Jones is driving along with his granddaughter strapped into her carseat next to him. He sees a hare running through the snow. The next thing that happens, a hunter shoots the hare, which tumbles to a dead flop in the road. In Phoenix, Arizona, Thomas Builds-the-Fire takes over driving from Victor in the middle of the Nevada desert. Immediately, a long-eared jackrabbit dashes out in front of the pickup, and Thomas runs over it. The rabbit is "first living thing" they see in all of Nevada, and Thomas kills it. They are quick to tell each other that the jackrabbit’s death must have been suicide. In Emergency, Georgie the Orderly is driving along with the narrator, Fuckhead, sitting beside him. Georgie hit a rabbit. They didn’t notice right away. Georgie stopped, then "threw the truck in reverse" and "zigzagged back to rabbit, almost running over the poor animal a second time." We all know what Georgie did to the rabbit next.
So, what’s with the common scene? Why does it repeat itself in three different stories? Taking Care was published first, in the 1970s. Emergency second, though much later, in 1992. This Is What it Means to Say Phoenix, Arizona third, in 1993. This is a baffling sort of mystery, the running over of rabbits with vehicles in contemporary fiction. I have no explanation for this phenomenon. But I am curious to find other examples of the same scene.
2009/03/04
VERBS
There are two stories in particular (neither of which are mine) that make especial use of verbs: Steve Almond’s My Life in Heavy Metal (sensory verbs) and Leonard Michaels’ The Deal (action verbs). I’ll start with Mr. Almond.
wag (pp. 1): to walk suggestively; said of the narrator’s fiancé
punch (2): the effect of a powerful odor; in this case, lard used in Mexican cooking
glow (2): said of lighted swimming pools; "glowed like sapphires"
bang out (3): to type against a deadline
blossom (4): said of the effect when the Mexican lifeguard switches from English to her native tongue, Spanish
dance (4): said of the tongue moving against teeth (linked to the example of ‘blossom’)
vault (7): the motion of a woman’s pelvis moving suddenly upward at orgasm
beard (23): wrapped, or enveloped, in an odor; "bearded in the smell of Claudia"
More examples lie scattered throughout the story, but I find these in particular impressive. Almond’s use of verbs in this manner gets me thinking about how I use verbs. How might I describe, say, the feel and taste of capsaicin on a character’s tongue? Rather than saying something like "The hot pepper set his tongue on fire" or "...burned his tongue" or "tingled intolerably" (geez, that last one), I would try to find a sensory verb that does the job in an unexpected-yet-fitting way....Of course nothing comes to mind immediately. It’s hard to do. I’ll figure it out.
Now on to Mr. Michaels (I didn’t keep track of page numbers):
Jammed. Poked. Tucked. Cut. Rode. Slipped. Cracked. Plucked. Looped. Tipped. Nudged. Tilted. Swelled. Yowled. Swivelled. Snapped. Hooked. Cackled. Swept. Steeped. Trotted. Sprayed. Banged.
The verbs in this story wield hard edges. Hard edges and small motions, almost twitch-like in their animation. Which works, because the antagonist(s) is "a raggedy monster of boys", twenty boys total, "jammed together on the stoop." Yowled? That’s the verb used to describe a truck’s gears shifting. Steeped? "The sun was low above the river and the street three quarters steeped in shade." Lovely. After being drenched in summer sun all day, the street is almost relieved to be soaked in shade, itself like water. The angle of light is steeper than the angle of the street, and the shade is now thick, as if one could walk up the incline. Beautiful!
If we haven’t read The Deal, ask me for a copy and I will supply one. (Mr. Camel Cricket has read it. He knows what I’m talking about.)
2009/03/02
Process...VII?
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What sort of character would concoct homemade napalm for use in booby traps?
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Have you ever lived near an oxbow lake? An engine bloc depository? A rake forest? A place you could swim naked without fear of being seen?
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Flute music will come through the wall from the neighbor's apartment. Someone above will be running a blender. You will be chopping a pineapple on the counter with too small a knife. You will not realize your sweater is backward. Later, your date will wonder where all these fleas came from, and you will hope the fleas have gone unnoticed.
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[A writing challenge: "One character has an unexpected scar."]
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If you take offense to Kong in Trowbridge's Complete Book of Kong, you're probably the kind of person Kong would squeeze too hard.
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-spect-
spectate - respect - introspection - inspect -
spectral - specter - disrespect -
circumspect - [prespect] - underinspect -
overinspect - overcircumspection - subspect
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It isn't that difficult. Do you understand it? Yes or No? Then, Why? and How? (yes or no . . .)
Small, local context? or Universal context?
-Does it matter?
-Don't do this, Don't do that, Avoid all advice good and bad.
Unless the advice works, or doesn't work.
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Looking forward to going to bed.
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I am fond of the word "malingerer". Self-abuse. Smacking.
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"What's the limit on skulls this year?"
"Scram, you assholes."
"Blunt yourselves."
"PILED FOR QUALITY!"
"They hosted parasites."
"Do pugs bay?"
"The mayor's noose-"
"What about the mayor's noose?"
"Paw, as in 'grope.'"
*
Wooden Eyes.
*
2009/02/13
The Uncrossable Boundaries: Revolting Spectacles
Eyeball tattoos. The very thought of someone else having the whites of their eyes tattooed in a different color is enough to make me turn away in disgust...which is silly because I’m thinking about it, and turning away doesn’t help. But we get the point. Eyeball tattooing is far worse and more disgusting than Mr. Dave’s enthralling exposition on zits (which, I have to say, is rather funny). Why would anyone tattoo an eyeball? It seems like a torture you might see in an exploitation film with Nazi characters. Can anyone fathom eyeball tattooing? Am I alone in my disgust? Is anyone listening?
Tongue splitting! Not as disgusting as eyeball tattooing, tongue splitting is nonetheless rather silly. Would you like to walk around with a forked reptilian tongue?
That’s all I have. Eyes and Tongues. Lenguas! Augen!
2009/01/22
Flow-stoppage
Brick wall Pine thicket Body of water Canyon, gorge Security door A young child An heirloom Tracking bracelet or anklet A blizzard Flames, an inferno Exhaustion, lack of sleep, physical overexertion, worked too hard Dehydration A reef A cliff Banishment, expulsion (from a place, a town, an organization, a peer group) Lack of money Rules of a game Another person’s point of view Disguise, costume The dark Solitude Aloneness Fear Unwillingness Refusal (to do something) Hospitalization Out of contact, unreachable A magic circle Locks, deadbolts Race, ethnicity, culture, language A thing unknown to you Handcuffs, shackles, restraining bar, leg irons, gibbet, iron maiden Skin Smoke Highway traffic A moving train Held hostage Forgetfulness Allergic reaction Senility Phobias Deep embarrassment Paralysis Chronic pain Fasting Conditions applied to a contract Contractual obligations Duties, honor, codes of conduct Razor wire An electrified fence Family pressure (to take an action / not take an action) Height, weight, sex, body shape, body image, eye color, hair color A shield wall Phalanx A vast desert An incurable disease or degeneration Lack of faith Skepticism Armor Kevlar Gravity
[dirty chocolate snow]
2008/12/13
[Last Post Tonight, Guaranteed] Something Guided Me Toward Random Images
Who are these Chinese people I’ve stumbled across? Why are two of them girls who are kissing? Not "why", as in, "This is morally wrong, I demand an explanation"; but "why", as in, "Why am I seeing this of all things?"
Photos of babies on a train, with Santa Claus, then a white woman.
Last: a series of ethnically diverse cheerleaders.
It means nothing to me. More bizarre images are there to be had, certainly. But it's not the superlative that reigns here. Not even the comparative has much say or sway. That image which appears before you, and holds you captivated regardless of how you feel about it or what you think of it, is the image that reigns.
A Slowly Growing List of Things to Look Forward To When You Have a Child
- Every day is either Christmas or Halloween or Birthday or Easter
- Leave those cats alone! They're going to scratch you and it will hurt
- You cannot lie under circumstances, but nor can you tell the literal truth
- Geez that kid is sharp
- Can I have cake? Can I have cake? Can I have cake? Huh? Daddy? Can I have cake?
- For the last time, stop asking me!
- Noticing the growth: taller and a bit heavier to carry
- Children's television shows
- Food. Wasted food
- Remembering that you once acted this way yourself
- Watching where the both of you are going
- The joy of hearing the word "fuck" being used experimentally, and justifying this experimentation by saying "Well they learn it eventually"
- TANTRUMS
- Sitting down together on the living room floor, a mess of blocks & cars & plush Care Bears strewn around you, discussing the complexities of each car's identity, its name, and why it is so humorous
- Having to take responsibility for someone else for a change
- More frustration than you're prepared for
- Wicked cackling
- Drawings of potato guys
- Learning about the world all over again
- Circular Logic
- Unexpected hugs and words put beautifully together out of context
- Waking up after 4 hours of sleep, and unexpectedly having to confront shit, in more than one place, including the carpet, a big toe, a butt, a bed, a toilet seat, and underpants












