Bands, Boobs, Bushy Beards

We went to a concert last night, the first we’ve been to in a long time. We saw Black Label Society, Static-X, Mudvayne, Suicide Silence, Bury Your Dead, and an accompanying freakshow called Hellzapoppin (a midget with hands for arms; an Australian crystal ball manipulator; an old fellow called the Torture King, who ran wire through his arms and other muscular tissue; and Betty Bloomers, a striptease sword swallower whose nipples were taped over).

I know that many people dislike heavy metal music. Dislike may be too mild a word for some. Regardless, one must love heavy metal in some capacity in order to tolerate it. There are those who simply enjoy pumping the devil horns in the air, slam-dancing, screaming obscene slogans, and jerking their head back and forth or in a violent circle. Then there are those who have grown past all that and just love the music. And of course, there are those who are insane enough to try to make a living as heavy metal musicians. The latter category loves heavy metal more than any of the others. To be a heavy metal musician is like being a poet: you will not make any money doing something you love to do. Yet they do it anyway.

I fall into the middle category. Moshpit days are well behind me. I don’t want to be slammed to a concrete floor by a dozen or more hairless three-hundred pound gorillas swimming in circles through the sweat haze. I just want to enjoy the music the way it’s meant to be enjoyed. The epileptic strobelights. The dull cigarette fog over everything. The air thick with the taste of beer. The bass pummeling through the core of your body. Such volume as one would find on a runway at O’Hare. The great buildup of energy that binds a group of four or five musicians to hundreds of drunk and sweaty young people for thirty minutes, goading one another on, feeding off the ruckus.

The concert was great. Zakk Wylde can play a guitar with all the effort involved in picking one’s teeth. The bass player of Suicide Silence resembled Clisbee in some of his more pained expressions, though I have a hard time picturing Clisbee bent-and-squat with an electric bass, swinging his hair and his entire head in great revolutions at 245 bpm. The singer of Mudvayne performed several songs whilst encased in a furry bear suit which I imagine was an entirely unpleasant experience. At least one member of each band had a beard of considerable bushiness.

I didn’t much like the Alltel Center though. Everything seemed choreographed to begin and to end at an early, reasonable, respectable Mankato hour (eleven p.m.).

So that’s part of how I spent my summer.